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The Principles of Art
Line & Movement
Prior to 967 AD
Master of Gero-Codex: Gero-Kodex, Szene: Initiale S
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Principles of Art
Variety, Line, Movement, Rhythm & Balance
Vignette for Le Jardin des Plantes "The Elster"
Charles-François Daubigny
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Note:
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property of the Art Apprentice Online, LLC.
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How Often Do You Find Yourself Saying?
"I Wish I Knew How to Advance My Artistic Knowledge"
What are the Elements of Art?
A successful work of art is created if the composition works. Only when an artist ia able to manage the elements of art in such a way that they create a pleasing final effect for the viewer’s overall experience, is the work successful. But what exactly are these elements? What are the rules the artist needs to learn? Have you ever looked at a painting and felt it didn't work? This is not referring to the style, but to the technical workings of the composition. You recognize that something appears wrong but you are not quite sure what it is exactly? These are the principals of art either working together or against each other. Regardless of the choice of style, all artists will draw on some of the elements of art to help them describe and interpret their artistic ideas.
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The articles found in this section of our web site, Artistic Concepts are designed to help the artist begin their study of individual
and specific subjects. As you read through them, begin to build your own reference knowledge
library with your favorite subjects from each of the suggestions.
If the
article is written about flowers, and that topic interests you, then begin a collection of
flower photographs or one of leaves etc. Keep your photographs
in a scrap book or in file folders on your computer and refer to them whenever you can.
Learning
to 'see' the details in everything around us helps us to become more observant, this is an important asset
for any artist who wants to paint original works and develop their independence.
Look for the details in life around us, its everywhere
Artists paint with light...
Photography can be the another passion for the creative individual. Artists are always looking for material to paint, and photographs give them a way to record what they see in the moment.
The word photography comes from a Greek word meaning, "I write with light'. Just by this meaning alone we can see how the artist can use photographs to record the changing light. All artists 'paint with light'.
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The artist can use photographs to help them study light. Captured in a still image, light will not change as it does in real time so the artist can work on the composition at a later time and place. |
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Painting outdoors can be interesting, but light changes and the artist has to contend with the elements, such as insects, on-lookers and the logistics of getting there. Capturing the scene in a photograph can save the moment for a later 'study'. |
Remember...our goal as artists is to create through the management of color, contrast, balance, line, movement, shape, space, texture, proportion, rhythm, variety, unity etc. Gather your knowledge in a manner that will inspire you to become and stay creative.
Formal elements of Art; Line, Shape, Space, Form, Light, Color and Texture
Principles of Design; Rhythm, Repetition, Balance, Proportion, Scale, Unity, Variety.
Collect photographs of flowers...
Flowers are just one topic, here we share with you what we look for when we 'study' a photograph. Its not just about the pretty picture, its about the play of light, the shadows, the details, the shape and form of the object itself.
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Shape: Each
flower has an overall shape or a combination of shapes. Let’s
look at the rose, the overall shape is a sphere, it has
volume, spheres have the crescent dark shape opposite
the light source. |
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If the light source is coming from
the upper right, the upper right quadrant would be lighter
and warmer (sunshine) while the lower left quadrant is
cool and darker in value. The individual petals
are cylinder shapes that bend, turn and cup, this is
accomplished by using several values of light and dark. |
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Surface Texture: Is
it Dull or Shiny? So often we see flowers that
are painted with shiny white highlights. This
would only be applicable on thick waxy flower petals
like tropical flowers. Refer to the
rose again, the petals are thin and absorb light. Value changes are needed to create form but not as much as a high reflective shine. |
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Characteristics and details: Crisp
edges, tears, vein lines, bug bites, water drops are ways
to add interest. These are also ways to add interest in
the ‘focal area’ making that area more interesting
than the rest of the painting. |
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Color Intensity: After
cutting fresh flowers from your yard look at the color
and intensity each day and see how it changes from one
day to the next. This is what really taught me how
to see the difference between a dead flower and a fresh
flower. The day before you throw out the flowers look
at the color and the intensity. Has the color faded and
the intensity dulled? |
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When painting Flowers that are to be positioned in the
background, they should fade away with soft edges, flowers
coming forward into the foreground or in the focal
area, should have more crisp and sharp edges so they
will offer greater contrast. Look to see if this occurs in nature. |
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Leaves: The
same theory applies to leaves as it does to flower petals. Leaves are
cylinder shapes of turning, twisting, receding and advancing
surfaces. All of which are painted with form, value,
intensity, temperature and the individual characteristics
of the different kinds of leaves the artist is painting. |
i"Be true to the highest within your soul and then allow yourself to be governed by no customs or conventionalities or arbitrary man-made rules that are not founded on principle." ~ Ralph Waldo Emerson
Look for a composition in your photographs...
There are countless possibilities before you as an artist! One
of the first steps is to select a surface or support and a
subject matter. Then you need to learn how to make certain
decisions with creativity.
You will need to decide how to place the desired elements
onto the surface. Should they fill the whole space or
just a part of it? Should items be placed toward the
top or the bottom of a frame, to one side of a surface, or
right in the center? Should you feature
a single object or a variety of items? These are
all questions about composition.
Strong argument can be made to support the notion that the
composition is much more important than the actual subject
matter.
Composition is the arrangement of visual elements within the
area of your surface, whether it is a surface to be framed
or some sort of functional or decorative piece. These
visual elements encompass much more than just the objects you
wish to feature in a painting. Line, shape, perspective,
texture, light, value and color all combine to make a pleasing
and successful composition. To begin the initial
composition needs to have strong structural elements of shape,
line and position. These three items will affect the
degree of success found within a finished work.
Elements arranged for a still life composition
We have all heard it said that 'Rules are made to be broken'. Before
the artist can creatively break the rules they must first understand
them. If they memorize something they can repeat it, but
when they understand something they can apply it. Here
are some good composition rules to use when designing. These
can also help when critiquing our own art work.
Here are a few composition rules for the artist to get started with:
Grid for the rule of thirds
- Establish a focal point – this will determine and
affect the perspective.
- Space - Try not to have elements barely touching the edge of your
surface – overlap them, this created depth. Try not to divide the space up evenly – use unequal
proportions.
- Variety - try not to repeat the same curves, lines, or shapes exactly – use
variety between them.
- Line & Movement - Don’t have lines or elements that lead the eye out
of the design.
- When using strong lines you must provide places for the
eye to stop.
- When grouping items consider the negative spaces as well
- keep them interesting
- Use uneven numbers – even numbers can create boredom within the composition.
- Lines and shapes should be compatible with the feeling
or mood you want to create.
- Consider the movement created by the lines you use – are they organized or repetitious, etc.?
- If you create a center of interest or focal point it should be the most important element
in your design.
- Create one main center of interest or focal area . . . more than
one may lead to confusion and unnecessary distraction.
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